Haunt Game | Pyrofon records, 2023 Spoken word and music, with M. John Harrison, 33′ 08″ |
Premonitions of the Unbuilt City | Nonclassical Records, 2021 Solo piano, with Kit Downes, 28′ 30″ |
She Described It to Death | Royal Opera, 2020 (Cancelled due to pandemic) Chamber opera, libretto by Sally O’Reilly, 1hr 30′ |
Of the wonderful Nature of Air | English Heritage, London Sinfonietta, 2018 Brass and Gong. Site specific for Stonehenge, 7′ |
Advanced Propulsion: Capricciototype | Alarm Will Sound, 2017 Chamber orchestra, 10′ |
Weep at the Elastic as it Stretches, an adaptation of N.F.Simpson’s Prayer | Kammer Klang/Scenatet, 2017 Bass clarinet, viola, cello, 45′ |
And if in a Thousand Years | Film and Video Umbrella/Patrick Hough, 2017 Film soundtrack, double bass and electronics, 20′ |
The Music of High Cromlech | Tom Lessels, 2016 Solo clarinet, 12′ |
The Ends | Pompidou Centre, Cabinet magazine 2016 With Sally O’Reilly, solo cello, spoken word, film, 30′ |
And London Burned | Temple Music Foundation, 2016 Chamber opera, libretto by Sally O’Reilly, 1hr 15′ |
SK√ -1 | SLIP Imprint, 2016 Circuit-bent Casio SK1 keyboard, 28′ |
Advertise This | Sound and Music, Neil Luck, Drivetime Underground, 2016 Short recorded works for radio with Sally O’Reilly, 6′ |
We Happened to Travel | Art on the Underground, London Sinfonietta, 2016 Comprising: 3 Displaced Duets, for horn, flute and cello, total: 24′ We Happened to Travel, wind dodectet, 15′ Music for Station Broadcast, marimba, 11′ A Big Fan of the Underground, installation for fan. Sample Set, freely downloadable recordings of the Victoria line. |
R-Type Remix | Anna Meredith and Moshi Moshi Records, 2015 Oberheim SEM remix of the track R-Type, 4’30” |
Orac | London Sinfonietta, NMC Records, 2015 Solo clarinet, 5′ |
The Virtues of Things | Royal Opera, Aldeburgh Music, Opera North, Aurora Orchestra, 2015 Chamber opera, libretto by Sally O’Reilly, 1hr 25′ |
La Celestina | New York Metropolitan Museum of Art, 2014 Opera installation with Erratica and Manual Cinema Shadow Theatre, 10 Voices and viola da gamba, 25′ |
On the Axis of this World | Cambridge City Opera, Scott Institute for Polar Research, 2014 Countertenor, baritone, spoken voice, clarinet, cello and button accordion, 45′ |
Recurrent | Tête-a-Tête Opera Festival, Riverside Studios, 2013 Tenor, soprano, cello, accordion, libretto by Sally O’Reilly, 15′ |
Divining the Title of a PhD | ‘The Tread and the Rise’, Baró Galeria, Sao Paolo, 2013 Soundtrack, Synthetic Pianom 4’30” |
All The Knives | Group Exhibition, Z33 Gallery, Hasselt, 2012 Cassette dictaphones. |
Darker than Black Suite | Notes Inégales, 2012 Violin, cello, e. guitar, e. bass, two keyboards, percussion, 25′ |
Avon | Oliver Coates, 2012 Solo cello, 4′ |
arr. Nancarrow Player Piano Study No. 26 | London Sinfonietta, 2012 Chamber ensemble, 7′ |
The Trial of Dennis the Menace | Southbank Centre, 2012 Children’s theatre (score and songs), 1hr 15′ |
Dead Reckoning | Spitalfields Festival, Mica Levi, 2011 Handbells, 7′ |
After Agri | Victoria and Albert Museum Digital Design Festival, 2011 Collaboration with Burton/Nitta interdisciplinary art and design studio. Singer and algaculture symbiosis suit, 10′ |
The Raven | Cambridge City Opera, Arcola Theatre, 2010 One-act opera after Poe, Baritone Voice and Clarinet, 30′ |
My Heart | Tokyo Wonder Site, 2010 Flute and amplified heartbeat, 10′ |
Manual for the New Primitive | Experimental Sound, Art and Performance Festival, Tokyo, 2010 Saxophone and tape, 45′ |
The Parlour Guide to Exo-Politics | Scottish Clarinet Quartet, 2009 Clarinet quartet, 15′ |
Exile | St Paul’s Sinfonia, 2009 Concerto for solo horn and chamber orchestra, 12′ |
Revise the Pleasure Principle | Elysian Quartet, 2008 String quartet, 10′ |
Shoulder to the Wheel | Ossian Ensemble, 2007 Violin and cello, 10′ |
The End of the Stone Age | Oliver Coates, 2006 Solo cello and tape, 7′ |
God of Doors | Scottish Clarinet Quartet, 2005 Clarinet quartet and trombone, 45′ |